From The Rape of the Vampire in 1968, Fascination and The Living Dead Girl to The Mask of Medusa in 2009, Jean Rollin dedicated his life to fantastic cinema. Influenced by the Surrealists, he created a coherent body of work des pite man y obstacles, combining poetic and Gothie elements with sober eroticism. Thanks to two American documentary filmmakers, Rollin, who never gained the recognition he deserved for his unique contribution to French horror, has finally received his lettres de noblesse.