Frédéric, who has always had a passion for creating images, studied cinema and began a career as an assistant director in Paris before turning to documentary production at Bix Films. Together with other professionals, he set up Red Revolver in 2015, which produces short content for the web and television, for example Studio Plus and the regional channel Alsace 20.

Cet alsacien pur jus est à la tête depuis 1998 de Ciné Régie, une société spécialisée dans la fourniture d’armes et de costumes pour le cinéma et qui figure parmi les leaders dans le domaine. Parallèlement, Michaël Gojon-dit-Martin dirige une boîte de production audiovisuelle, une de location de costumes pour les particuliers et une autre dévolue aux effets spéciaux.

Michel Woch is a cameraman by training and began his career in television. He tried his hand as an assistant director and production manager before turning to TV and cinema fiction, where he worked as a director and assistant director. Since 2010, he has shared his audiovisual and cinema expertise with the Bureau d’accueil des tournages Grand Est.

Having worked in several Strasbourg cinemas during her studies in the late 1990s, Laurence Algret began her career at the UGC Ciné Cité as head of communication in 2000. She went on to become deputy director and director at various UGC cinemas in Lille, Rouen and Lyon before working on the management team for two years at the headquarters in Paris. As a Strasbourg cinephile, she was delighted to return to take over the reins of the Strasbourg UGC in January 1915.

Kévin Béclié, a teacher at Strasbourg's Lycée Marcel Rudloff, coordinates cinema and audio-visual matters for the artistic and cultural education branch of the Strasbourg Academy. This entails setting up workshops and national programmes, such as Lycéens au cinema and Collège au cinema, among others. A fan of genre and cinéma bis, he writes for Cinétrange.

Joël Danet is a contributor and programmer at Vidéo Les Beaux Jours and is mainly responsible for the “Filming the City” programme, which organises meetings with researchers in the field of documentary films with an urban theme. He is also responsible for research projects based on film archives at the University of Strasbourg’s SAGE laboratory.

Mélina Napoli is regional delegate of the Grand Est section of the National Audiovisual Institute (Ina) in Strasbourg, where she is head of client service in the documentary department. She now brings together partners in the local audiovisual and digital ecosystem and organises "VR Challenge – time travel" with the Shadok, the Festival and the City of Strasbourg.

Mali Arun’s work with images fi ts somewhere between fi ction, documentary and video art.

Rock Brenner is a lover of shoestring-budget films and has himself directed several of them, full of black humour, which were selected at Fantasia and the Valencia International Film Festival.

Réalisateur néerlandais, Martin Koolhoven est diplômé de la Amsterdam Film Academy. Son Winter in Wartime a dépassé Twilight au box-office néerlandais et a été sélectionné aux Oscars dans la catégorie Meilleur film en langue étrangère. Malgré les sirènes d’Hollywood, Koolhoven a créé N279 Entertainment à Amsterdam avec le producteur Els Vandevorst.

Réalisateur néerlandais, Martin Koolhoven est diplômé de la Amsterdam Film Academy. Son Winter in Wartime a dépassé Twilight au box-office néerlandais et a été sélectionné aux Oscars dans la catégorie Meilleur film en langue étrangère. Malgré les sirènes d’Hollywood, Koolhoven a créé N279 Entertainment à Amsterdam avec le producteur Els Vandevorst.