SWEET HOME

Alicia gets her boyfriend to go to an almost deserted property to spend a romantic evening together. She had visited it that day as part of her job in order to persuade the last tenant to leave. However, men return during the night with the same aim in mind, but with more radical means at their disposal.

Alicia surprises them and tries to escape until daybreak.
Sweet Home belongs to the ourishing home invasion sub-genre. In this case the “home” is a large, grim property from which there is no escape. Both classic and powerful, Rafa Martinez’ film concludes with a riveting Dantean chase through the sewers, just a few metres below a bustling town.