Thursday, September 18th
9:00am to 12:00am at the Vox

When French cinema dips into the world of fantastic lms many auteurs will not inch from using gory or horrific effects or displaying mental images that deliberately evoke the codes of the fantastic genre. And overview of visual e ects will be illustrated by a range of examples from films or series such as Tiresia Don t Look Back The Returned 9 Month Stretch Interior Design The Congress The Pack.

Hugh Namur started out in lm as a compositing supervisor working on the big wheel sequence in Le Boulet. He then worked as a freelancer for several years before joining Mikros Image in 2005 developing visual e ects in feature films including Jacquou le Croquant, Tell No One, Asterix at the Olympic Games, Oceans, Outside the Law and more recently The Congress by Ari Folman.